Kód: 26588729 74,58 €
Dodanie trvá 12 týždňov.
Dátum vydania: 24.3.2011
Žáner: REGGAE
EAN: 3341348122212 (info)
Label: SOULBEATS
Nosič: CD
Popis - RASTA GOVERNMENT:
In Jamaica his name is synonymic of excellent. Only musicians and professionals of the capital know Steven Stewart, deserving heir of Harry J., who passed on to him his knowledge and the management of its mythical studio before retiring. Stewart still records between the walls full of Wailers golden records for their albums Exodus, There, Wrestling A Fire, Burning, etc. If Takana Zion was able to seize the opportunity to record
with Steven Stewart in the studio Harry J., it is thanks to an another size of the Jamaican music: Junior Sam Clayton from the Mystic Revelation Of Rastafari. Musical adviser of Takana for three years and co-producer of the record, Clayton assures: no other studio rings as at Harry J. To record in live, there is not better. After having signed a first album in Africa in the Manjul studio and a second in Paris in 2009 (Rappel A l'Ordre), the following step of Takana Zion should definitively be Jamaica. To accompany him, Steven Stewart and Sam Clayton convened the elite of the musicians of Kingston: Sly Dunbar
on the drum, Sticky Thompson on the percussions, Robbie Linn on keyboards, etc. We find on this record ten tracks with at once an organic and modern sound, as this bright guitar on Give Thanks To Jah, or the magnificent flown away of brass instruments on Rastafarian Government. Between two roots pearls, Takana also dares the crossover funk (My Music). The session of studio with Capleton will stay it best memories of his Jamaican adventure (The Glory). On a lot of other tracks, Takana combines dynamics tunes and committed texts. He insists on the importance of his messages: Rise Up incites his people to straight up the head and to keep hope in this period of international crisis, while Rastafarian government plead for a nation which would rehabilitate brotherhood and freedom of expression between the citizens, so many essential values which
seem to become blurred in countries called developed. To the attention of his ancestors, he never forgets to sing in his native dialect, malink (M Bife). He knows that, for many young people of shanty towns, his words are education. In western Africa, and particularly in his native Guinea. His concerts fill whole stadiums. Let us guarantee that this Jamaican album, indisputably the most accomplished of its discography, will allow him to finally restore a little bit this generally fame imbalance between Africa and the West.
