MARC-ANTONIE CHARPENTIER
2019.
€ 59.8
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MINKOWSKI MARC
1966. Les musiciens du louvre-minkowsky - massis, annick - te deum d-dur h. 146,prelude,te deum laudamus,te aeternum patrem,te per orbem terrarum,tu devicto mortis aculeo,te ergo quaesumus,ae..
KOZENA/MINKOWSKI/ML/AJ.
1966. Les musiciens du louvre-minkowsky - massis, annick - te deum d-dur h. 146,prelude,te deum laudamus,te aeternum patrem,te per orbem terrarum,tu devicto mortis aculeo,te ergo quaesumus,ae..
€ 43.95
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MARC-ANTOINE CHARPENTIER
€ 44.68
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CHARPENTIER MARC / ROBERTS GWY..
MARC-ANTOINE CHARPENTIER (1643..
ENSEMBLE AMARILLIS / HELOISE G..
€ 77.56
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LE CONCERT SPIRITUEL & HERVE N..
€ 61.09
7 dní
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LE CONCERT SPIRITUEL &...
€ 54.82
7 dní
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LE CONCERT SPIRITUEL &...
KORNGOLD / MACMILLAN / SWARTZ ..
2016. Fantasy Variations on a Theme by Charpentier When Jonathan Swartz commissioned me to write a quartet for two violins, cello, and piano — stipulating only that it should 'feature the two violins equally' — my..
CARISSIMI/BERTALI
2011. The oratorio developed out of paraliturgical devotional practices of the Oratorian order during the sixteenth century. By the seventeenth century, it had grown into an independent genre and spread rapidly acro..
€ 61.1
Na objednávku
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VON OTTER ANNE SOFIE
2010. Hvězda Deutsche Grammophon, švédská mezzosopranistka Anne Sofie von Otter, vyslala do světa desku, která si určitě najde spoustu obdivovatelů. Francouzské barokní árie vybrala společně s Williamem Christiem, k..
CARISSIMI/BERTALI
2011. The oratorio developed out of paraliturgical devotional practices of the Oratorian order during the sixteenth century. By the seventeenth century, it had grown into an independent genre and spread rapidly acro..
€ 53.77
7 dní
+kuriér zadarmo
VON OTTER ANNE SOFIE
2010. Hvězda Deutsche Grammophon, švédská mezzosopranistka Anne Sofie von Otter, vyslala do světa desku, která si určitě najde spoustu obdivovatelů. Francouzské barokní árie vybrala společně s Williamem Christiem, k..
JONATHAN SWARTZ & MARK FEWER &
2016. Fantasy Variations on a Theme by Charpentier When Jonathan Swartz commissioned me to write a quartet for two violins, cello, and piano — stipulating only that it should 'feature the two violins equally' — my..